Bollywood is the
informal name given to the popular Mumbai-based Hindi
language film industry in India. The term is sometimes
used incorrectly to refer to the whole of Indian cinema.
The name is a blend of Bombay, the English name for
Mumbai, and Hollywood, the centre of the American film
industry. Though some purists deplore the name, arguing
that it makes the industry look like a poor cousin to
Hollywood, it seems likely to persist and now has its
own entry in the Oxford English Dictionary. Such names
have also been used for other industries, including
Kollywood, Tollywood, Lollywood, Dallywood, and Nollywood.
Bollywood and the other major cinematic hubs (Tamil,
Marathi, Bengali, Telugu, Malayalam, and Kannada) constitute
the broader Indian film industry, whose output is the
largest in the world in terms of number of films produced
and in number of tickets sold. Bollywood is a strong
part of popular culture of not only India, but also
of the rest of South Asia, the Middle East, parts of
Africa, parts of Southeast Asia, and among the South
Asian diaspora worldwide. Bollywood has its largest
diasporic audiences in the UK, Canada, Australia and
the U.S, all of which have large Indian immigrant populations.
Bollywood is also commonly referred to as "Hindi
cinema", even though Hindustani, the substratum
common to both Hindi and Urdu, might be more accurate.
The use of poetic Urdu words is fairly common. The connection
between Hindi, Urdu, and Hindustani is an extremely
contentious matter and is discussed at length in the
linked articles relating specifically to the languages.
There has been a growing presence of English in dialogue
and songs as well. It is not uncommon to see movies
which feature dialogue with English words and phrases,
even whole sentences. A few movies are also made in
two or even three languages (either using subtitles,
or several soundtracks).
Bollywood film music is called filmi music (from Hindi,
meaning "of films").
Songs from Bollywood movies are generally pre-recorded
by professional playback singers, with the actors then
lip synching the words to the song on-screen, often
while dancing. While most actors, especially today,
are excellent dancers, few are also singers. One notable
exception was Kishore Kumar, who starred in several
major films in the 1950s while also having a stellar
career as a playback singer. K. L. Saigal, Suraiyya,
and Noor Jehan were also known as both singers and actors.
Some actors in the last thirty years have sung one or
more songs themselves; for a list, see Singing actors
and actresses in Indian cinema.
Playback singers are prominently featured in the opening
credits and have their own fans who will go to an otherwise
lacklustre movie just to hear their favourites. One
of the most recorded of these playback singers is Lata
Mangeshkar who, through the course of a career spanning
over six decades, has recorded thousands of songs for
Indian movies. Many of the female songs in films from
the 1950s, 1960s, and 1970s were sung by Lata or by
her sister Asha Bhosle. Some of the famous male playback
singers were Mohammed Rafi, Mukesh, and Kishore Kumar.
The composers of film music, known as music directors,
are also well-known. Their songs can make or break a
film and usually do. Remixing of filmi songs with modern
beats and rhythms is a common occurrence today, and
producers may even release remixed versions of some
of their films' songs along with the films' regular
soundtrack albums.
The dancing in Bollywood films, especially older ones,
is primarily modelled on Indian dance: classical dance
styles, dances of historic northern Indian courtesans
(tawaif), or folk dances. In modern films, Indian dance
elements often blend with Western dance styles (as seen
on MTV or in Broadway musicals), though it is not unusual
to see Western pop and pure classical dance numbers
side by side in the same film. The hero or heroine will
often perform with a troupe of supporting dancers. Many
song-and-dance routines in Indian films feature unrealistically
instantaneous shifts of location and/or changes of costume
between verses of a song. If the hero and heroine dance
and sing a pas-de-deux (a dance and ballet term, meaning
"dance of two"), it is often staged in beautiful
natural surroundings or architecturally grand settings.
This staging is referred to as a "picturisation".
The Indian screen magazine Filmfare started the
first Filmfare Awards in 1953. Modelled after
the poll-based merit format of the Academy of Motion
Picture Arts and Sciences, individuals may submit their
votes in separate categories; The awards are presented
at a glamorous, star-studded ceremony. However, unlike
the Oscars, voting is not restricted to members of a
specific club or academy, but is open to anyone who
buys a magazine and sends in a ballot. Like the Oscars,
the Filmfare awards are frequently accused of bias towards
commercial success rather than artistic merit.
Lately, other companies, such as Stardust Magazine,
Zee TV, etc have joined the movie award bandwagon. Some
of the other popular awards are:
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